Bertolt Brecht's epic play "Mother Courage and Her Children" may be about the horrors of war, but a new off-Broadway production is revealing real conflict offstage, too.

Actress Tonya Pinkins attends the 'I See You Made An Effort' event on March 10, 2014 at Second Stage Theatre in New York City. (Photo by Monica Schipper/Getty Images)
Actress Tonya Pinkins attends the 'I See You Made An Effort' event on March 10, 2014 at Second Stage Theatre in New York City. (Photo by Monica Schipper/Getty Images)
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Tony Award-winning actress Tonya Pinkins said she will abruptly leave the Classic Stage Company's revival early next month, claiming the part has been "neutered," "subordinate" and created through "the filter of the white gaze."

"Why, in 2015, in the arts, is there a need to control the creative expression of a black woman?" she wrote in a statement. "Am I a dog or a slave to be misled so as to be controlled in my artistic expression?"

The play is about a woman who runs a canteen-on-wheels during the Thirty Years' War, which spanned 1618-1648. She is dependent on the bloodshed around her in order to keep her business flush and support her family.

In the Classic Stage Company revival, directed by Brian Kulick, who is the artistic director of the company, the play's setting was changed to the Democratic Republic of the Congo and the script was cut.

But Pinkins complained the shift to Africa was "a decorative motif" and it was not clear to her until technical rehearsals that the revival's view of the heroine "was of a delusional woman trying to do the impossible."

"My Mother Courage was left speechless, powerless, history-less and even cart-less," said Pinkins, a respected actress who played the title role in "Caroline, or Change" and won a Tony in "Jelly's Last Jam."

In a statement released Wednesday, Kulick said he had "great respect" for Pinkins both as a theater artist and activist and, "I am so sorry that over the course of this production our views on Mother Courage diverged."

"One goes into a theater production with suspicions and hunches and a play slowly reveals what it might want to be. Tonya and I seemed to have started with the same basic impulse but reached two different vantage points," he wrote.

Pinkins said she consulted on the new changes to the play with Olympia Dukakis, who has played the role many times and came to see Pinkins. Ultimately, she decided: "A black female should have a say in presentation a black female onstage."

Pinkins said she was contractually obligated to play the part through Jan. 3 but "My Mother Courage is too big for CSC's definition. So it is best that they find someone to `fit in,' because I cannot."

The theater company said it has postponed the show's official press opening, which had been scheduled for Jan. 7 and that "the company will continue the production with replacement casting to be announced."

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